Boxing Day @CarolABrowne explains this #British #holiday

Guest Post by Carol Browne

What is this thing we Brits call Boxing Day that takes place every year on December 26th? Does the stress of the festive season require a violent catharsis? Do people engage in fisticuffs in the street? Is there anarchy in the UK?

No, it’s a civilised affair dating back around 800 years, when the church alms boxes were opened and the money within was distributed to the poor. This tradition of being charitable is reflected in the Christmas Carol Good King Wenceslas, which concerns a Medieval king who takes food to a poor family on Boxing Day (also known as St Stephen’s Day. Traditionally, servants had a day off from tugging their forelocks, and were allowed to celebrate Christmas at home with their families and friends.

In the not-too-distant past, tradesmen and merchants would receive a Christmas box from their customers. This was like a tip to thank them for their work throughout the year. This custom has largely died out but I recall when I was a child, my mother setting aside money or small gifts for Christmas boxes that would be given to people like the milkman and the postman. We had so many things delivered in those days and I seldom saw the people responsible so that, thanks to my child’s imagination, they became an assortment of surreal characters that still make me chuckle to this day: The Potato Man, the Paper Boy, the Fish Man, and the Coal Man, for example!

Although Boxing Day is a public holiday in the UK (and other countries with a connection to it, like Canada, New Zealand, and Australia) many people prefer the frenzy of the Boxing Day sales to chilling out with friends and family. It is also an important day for sport, especially horse racing and football. Many people go for a long walk, perhaps to burn off some of that food they have overindulged in. It was traditional for the upper classes to go fox-hunting too, but, thankfully, this barbaric practice has been outlawed now.

After the excesses of Christmas Day, why not try a simple vegetable broth for your Boxing Day lunch? A steaming mug of this with a chunk of crusty bread is both warming and nourishing and just the ticket on a chilly winter’s day. The following recipe is vegan but if you’re a meat-eater, you can add some of that leftover turkey if you still haven’t had your fill of it!

Vegetable Broth

Photo by KEKO64

1 large onion, chopped
1 clove of garlic, minced
4 large carrots, diced
1 swede (rutabaga), diced
1 large potato, cut into large chunks
1 leek, chopped
2 pints vegetable stock
vegetable oil or vegan margarine

Heat the oil or margarine in a large pan and add the chopped onion and minced garlic. Sweat them together until soft.

Add the carrots, leek, and rutabaga. Sweat these with the onion/garlic mix, ensuring they are mixed well.

Stir in the potatoes and vegetable stock. Bring to the boil. Turn the heat down as low as possible and place lid on pan. Simmer and stir occasionally until vegetables are tender.

How about a glimpse into the life of a strong woman while your soup is simmering?

In 2012 when young Polish immigrant Agnieszka visits fellow countrywoman Krystyna in a Peterborough care home for the first time, she thinks it a simple act of kindness. However, the meeting proves to be the beginning of a life-changing experience.

Krystyna’s stories about the past are not memories of the good old days but recollections of war-ravaged Europe: The Warsaw Ghetto, Pawiak Prison, Ravensbrück Concentration Camp, and a death march to freedom.

The losses and ordeals Krystyna suffered and what she had to do to survive are horrors Agnieszka must confront when she volunteers to be Krystyna’s biographer.

Will Agnieszka be able to keep her promise to tell her story, and, in this harrowing memoir of survival, what is the message for us today?

Buy Links
Dilliebooks - Amazon UK - Amazon US

Carol Browne regards Crewe, Cheshire, as her home town and graduated from Nottingham University in 1976 with an honors degree in English Language and Literature. Carol writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover.

Carol lives in the Cambridgeshire countryside with her dog, Harry, and cockatiel, Sparky.Pagan and vegan, Carol believes it is time for a paradigm shift in our attitude to Mother Nature and hopes the days of speciesism are numbered.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

Being Krystyna: A story of survival in WWII #Holocaust #biography @CarolABrowne

Carol Browne is a talented author who accepted the challenge to step out of her comfort zone and write a biography of a Holocaust victim and all the horrors the young Polish girl was forced to endure. Being Krystyna: A story of survival in WWII is a gut-wrenching short story that will tug at you and won't let go.

In 2012 when young Polish immigrant Agnieszka visits fellow countrywoman Krystyna in a Peterborough care home for the first time, she thinks it a simple act of kindness. However, the meeting proves to be the beginning of a life-changing experience.

Krystyna’s stories about the past are not memories of the good old days but recollections of war-ravaged Europe: The Warsaw Ghetto, Pawiak Prison, Ravensbrück Concentration Camp, and a death march to freedom.

The losses and ordeals Krystyna suffered and what she had to do to survive are horrors Agnieszka must confront when she volunteers to be Krystyna’s biographer.

Will Agnieszka be able to keep her promise to tell her story, and, in this harrowing memoir of survival, what is the message for us today?


Buy Links
Dilliebooks - Amazon UK - Amazon US

Carol Browne regards Crewe, Cheshire, as her home town and graduated from Nottingham University in 1976 with an honors degree in English Language and Literature. Carol writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover.

Carol lives in the Cambridgeshire countryside with her dog, Harry, and cockatiel, Sparky.Pagan and vegan, Carol believes it is time for a paradigm shift in our attitude to Mother Nature and hopes the days of speciesism are numbered.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

What it’s Like to Write a Real Person’s Story by @CarolABrowne #WWII #biography

Guest Post by Carol Browne

When I volunteered to write the life story of local woman, Krystyna Porsz, I was a very reluctant biographer. I did it because no-one else could be found to do it, so I thought, “If I don’t do it, no-one will.” It seemed far too big a responsibility to me but I told Krystyna’s son I’d give it a go, even though I was convinced I wasn’t up to the job. I write fiction. I make stuff up. I assumed non-fiction would be completely different.

It turned out not to be so different after all. Although I had the facts of Krystyna’s life, they amounted to a few sheets of A4 paper, hardly enough material for a book. So I had to build a structure to hang those facts on, very much like creating a plot for a work of fiction. My friend Agnieszka had visited Krystyna on two occasions and I used her as a narrative device, so we see the story unfold through her eyes. This gave me much more opportunity to pad out the text while still being true to the available facts.

Writers of fiction know that characters are apt to take on a life of their own. They seem real to their creators and as authors we want to portray them in their best light. When you are writing a real person’s story, this becomes vitally important. The sense of responsibility the author feels is magnified. For me, writing about Krystyna, it was off the scale; here was a very old lady whose ability to communicate was seriously hampered by dementia. There wouldn’t be any chance of being able to discuss the book with her. There wouldn’t be any feedback. While I was writing the book, I kept thinking, “If this were my life story, would I be happy with how it’s being handled?” That was my benchmark all the time and I’m confident I kept to it.

Writing a real person’s story seems to provide you with a ready-made plot but you can’t simply make the book a record of the events in someone’s life. That would be dull. You still have a responsibility towards the reader to make it as compelling as possible so they want to keep reading, but you mustn’t sensationalise the facts to do that; this is someone’s life you are dealing with and you have to keep that in mind.

Third-party involvement can cause problems too, and in this case it held up the book for several months. This just doesn’t happen with make-believe characters and so I wasn’t expecting it and it was very frustrating. However, it hasn’t deterred me from tackling anything similar in the future because I now know I must address issues such as these before I commit myself.

Writing a real person’s story is a challenge. It’s hard work. But I recommend it, especially if that person’s life is drastically different from your own. It’s an enlightening experience. It will broaden your mind and test your ability as a writer. It will give you the opportunity to write something that really deserves to be written. I only met Krystyna once but I made a point of shaking her hand before I left. I needed to physically touch someone who had survived the Holocaust, who had lived a history I had only read about or seen on black and white newsreels. Krystyna Porsz is a truly brave person. A survivor. I’m grateful not only to have met her, but to have had the honour of telling her story.

Look for Being Krystyna, releasing from Dilliebooks, on Amazon this winter.

Carol Browne regards Crewe, Cheshire, as her home town and graduated from Nottingham University in 1976 with an honors degree in English Language and Literature. Carol writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover.

Carol lives in the Cambridgeshire countryside with her dog, Harry, and cockatiel, Sparky.Pagan and vegan, Carol believes it is time for a paradigm shift in our attitude to Mother Nature and hopes the days of speciesism are numbered.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

Dining Like a British Lord @CarolABrowne #WooltonPie #recipe #WWII

Guest Post by Carol Browne

In 1941, while the subject of my soon to release novella Being Krystyna was trying to survive in Nazi-occupied Poland, the Ministry of Food was attempting to persuade the population of Great Britain to try out its latest recipe. This was the famous Woolton Pie, a savory entrée not a sweet dessert, created by the chef of the Savoy Hotel, Francis Ladry, and named after Frederick Marquis, Lord Woolton. He was a former social worker and managing director, a charming and popular figure trusted by the public who had been made Minister of Food in 1940.

Many foodstuffs were strictly rationed during the war and people were encouraged to “dig for victory” by growing their own food wherever they could. Vegetables were readily available and the Woolton Pie took advantage of this.

Lord Woolton promoted his pie, along with what he called the “National Loaf,” using characters like Dr Carrot and Potato Pete, and music-hall stars Elsie and Doris Walters (broadcasting as Gert and Daisy). There were also short films called Food Flashes, ads in the press, and cookery slots on BBC Radio. Sadly, Lord Woolton’s enthusiasm for the pie wasn’t matched by that of the public.

However, the enforced changes in the nation’s diet during World War II had unforeseen and beneficial consequences. Fat, meat, eggs, and sugar were severely rationed and people had to eat far more vegetables than they had before the war. They became healthier and slimmer, their lifespan increased, and infant mortality rates declined.

There’s a message there for us in the twenty-first century. Obesity is a major problem now and perhaps it’s time to take the advice of Dr. Carrot and Potato Pete and eat more veg and less fat and sugar!

Being vegan, I don’t think the original recipe for Woolton Pie looks bad at all, but I want to add more seasoning and ingredients. It’s an easy recipe to follow and perhaps a good way of using up leftover vegetables. You could also throw in “exotic” foods not used in wartime Britain, like sweet potatoes and garlic.

Lord Woolton’s Famous Pie
1lb. potatoes, diced
1 lb. cauliflower, chopped
1 lb. Swedes (rutabagas), peeled and diced
1 lb. carrots, scraped and diced
4 spring onions (scallions), sliced thin
1 tsp. vegetable extract.
1 tsp. oatmeal
Fresh parsley, chopped
Readymade pie crust or mashed potatoes

Preheat oven to 350°F

Cook all ingredients together in a medium saucepan with just enough water to cover for 10 minutes. Stir occasionally to prevent the mixture from sticking.

Allow to cool.

Transfer blend to a pie dish, sprinkle with chopped parsley. Cover with a crust of potatoes or wholemeal pastry.

Set dish on a cookie sheet and then bake until the pastry is nicely brown.

Serve hot with a side bowl of brown gravy.

Look for Being Krystyna, releasing from Dilliebooks, on Amazon this winter.

Carol Browne regards Crewe, Cheshire, as her home town and graduated from Nottingham University in 1976 with an honors degree in English Language and Literature. Carol writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover.

Carol lives in the Cambridgeshire countryside with her dog, Harry, and cockatiel, Sparky.Pagan and vegan, Carol believes it is time for a paradigm shift in our attitude to Mother Nature and hopes the days of speciesism are numbered.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

Novellas and Other Basic Literary Structures by @CarolABrowne #writingcraft #pubtip

Guest Post by Carol Browne

As authors go, I consider myself to be fairly ignorant when it comes to the mechanics of my craft. I’m like someone who drives but hasn’t a clue how the engine works and can’t tell one make of car from another. I find myself perplexed at times by the multitude of genres and their crossovers. Similarly, the many structures and formats one is supposed to adhere to are tiresome. Perhaps I don’t like rules and regulations, or it could be I’m too lazy to learn them.

Recently, when I finished my latest work, a novella called Reality Check, I decided to address my ignorance of basic literary structures by finding out exactly what constitutes a novella.

The novella (Italian,‘new’) started to develop as a literary genre during the Renaissance (notably in 1348 with the The Decameron by Giovanni Boccaccio), and in the late-eighteenth and early-nineteenth centuries the genre acquired various rules and structural requirements.
With a word count of between 17,500 and 40,000, the novella tends to be more complex than a short story but has far fewer conflicts than a novel. Frequently a novella is designed to be read at a single sitting.

Chapter divisions, subplots, different points of view, and changes in genre are not features commonly found in the novella. It turns its back on the wider world to focus instead on personal development. It’s like taking a short story then embellishing it with descriptive passages, expanding on the characterisation, and exploring the conflicts in greater depth.

You’d be surprised to know how many great literary works are novellas—Franz Kafka’s The Metamorphosis, John Steinbeck’s Of Mice and Men, F. Scott Fitzgerald’s The Great Gatsby, and Oscar Wilde’s The Picture of Dorian Grey, to name but a few.

I’m surprised to find that Reality Check meets the requirements, albeit by accident! Out of interest I also note that German writers see the novella as a narrative of any length that focuses on one suspenseful situation or conflict, with a decisive turning point that leads to a reasonable but surprising conclusion. Reality Check has ticked all the boxes there too. All I need now is a publisher!

Carol Browne regards Crewe, Cheshire, as her home town and graduated from Nottingham University in 1976 with an honors degree in English Language and Literature. Carol writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover.

Carol lives in the Cambridgeshire countryside with her dog, Harry, and cockatiel, Sparky.Pagan and vegan, Carol believes it is time for a paradigm shift in our attitude to Mother Nature and hopes the days of speciesism are numbered.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

You need a proofreader...even if you are one! @CarolABrowne #pubtip #writerslife

by Carol Browne

In my working life I wear many hats. Those worn by the writer and the proofreader you would assume to be created by the same milliner, but they are mutually exclusive. This is one of many reasons why we all need proofreaders.

No time for false modesty because I know I’m a very good proofreader—in fact, your actual grammar Nazi—and I have a particular talent for spotting typos. You would think, therefore, that when I do my own writing, I would eliminate errors as I go along, like a highly efficient chef who leaves the kitchen clean and tidy while producing a gourmet meal. But no. I make silly errors that are clearly brain glitches, like putting “at” instead of “as.” When you write or type, the hand is often quicker than the eye, but the brain leaves them both at the starting gate and chaos ensues.

When I proofread my writing and then ask my beta-reader for her opinion, I expect she will find errors I have missed. This happens when you are an author because you are too close to your work, too involved with it, to be able to step back and see the flaws. The brain often sees what it expects to see. So when it expects to see “its” but by mistake you have written “it’s”, the brain will continue to see “its” until hell freezes over. This inability to be objective is another reason why you need a proofreader.

Many words and phrases in everyday speech are used incorrectly and a good proofreader will know this. “Bored of”, for example, is a recent colloquialism and not (yet) acceptable in formal English. You can be bored by or with something but never bored of it. Another common mistake is to write “should of” instead of “should have”, which is an example of people writing words as they hear them. So, correcting erroneous usage is another reason why you need a proofreader.

Some people you just can’t help, however. A local business continues to advertise its computers and “assessories” two years after I tactfully pointed out the (common) misspelling. Grammar Nazis are frequently resisted, but resistance is futile if you want your business to look professional.

We all make mistakes, hit the wrong key without realizing it, and have misconceptions about grammar and spelling. (I’ll admit here to my eternal shame that before I became a proofreader, I used “shalln’t” instead of “shan’t”. Unbelievable.)

Using a proofreader doesn’t mean you are inadequate, it means you care about what you’ve written. It means you want your book, CV, assignment, trade ad, blog, etc. to be as flawless as possible, particularly if something important, like a job or qualification, depends on the finished product.

Don’t rely on the spellchecker either. If you’ve typed “there” when you meant “their” or “sort” instead of “sought”, you need a human proofreader to catch those bad boys because a spellchecker will give you ten out of ten for spelling every time.

Experienced proofreaders tend to be knowledgeable on a wide variety of subjects. My work covers topics as diverse as photography, education, nursing and psychology. They are good at research and have a sixth sense for knowing if a word is right, wrong, or should be queried. Sometimes you need a proofreader to save you from embarrassment, too. I’m sure the Polish friend who made this particular mistake won’t mind me mentioning it, but putting “bottom” instead of “button” mushrooms did give me an interesting image to giggle at. Meanwhile, my local village shop should have used a proofreader, but instead chose to display a printed sign asking customers to “bare with us” during renovations.

I’m hoping this is an error-free blog but, if not, I blame it on the fact that I wore my writer’s hat during its composition. Meanwhile my proofreading business has undergone a reboot on Facebook. Please drop by and say hello. All Likes gratefully received!

High praise for Carol's latest book that is a beautiful anthology of poems and short stories.

No one says it better than Amazon reviewer, faeriemoonmama, who describes the book as “atmospheric”:

“The poetry is steeped in a love of nature, magic and mythology. The short stories hold interesting twists. No spoilers! The Boomerang Effect (dabbling with a love spell, Martin Nevis finds himself having second thoughts) A Force to Be Reckoned With (an outcast with thoughts of being “destined for something great” wants to join the police force) and Transformation (once bullied, Patricia attends a school reunion and emerges victorious) were my favorites.

Give this collection a read, you won’t be disappointed.”

Read more on Amazon.

Carol Browne regards Crewe, Cheshire, as her home town and graduated from Nottingham University in 1976 with an honors degree in English Language and Literature. Carol writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover.

Carol lives in the Cambridgeshire countryside with her dog, Harry, and cockatiel, Sparky.Pagan and vegan, Carol believes it is time for a paradigm shift in our attitude to Mother Nature and hopes the days of speciesism are numbered.

Stay connected with Carol on her website and blog, Facebook, and Twitter.

In Praise of eBooks - Guest Post by @CarolABrowne #indieauthor

In Praise of eBooks

Guest Post by Carol A. Browne

As a voracious book reader, I have lived my life believing in the superiority of the printed book; then my beta-reader kindly gave me her Kindle. Once I had figured out how to use it (three weeks well spent), my perspective underwent a sea change.

When I bought my first eBook and saw it download to my Kindle, it was a magical moment. I was also delighted to discover the device doubles as a flash drive.

There’s something amazing about travelling around with an entire library of books at your disposal and in these days of multi-tasking, being able to read, eat and drink at the same time in total comfort is most welcome. To someone like me on a low income, the availability of cheap or free eBooks is a blessing too.

From an eco-friendly point of view, no trees are cut down to make eBooks. Digital publishing also allows more authors to put their work before the reading public, often publishing great work that traditional publishers have rejected because they aren’t commercial enough.

I once assumed the device itself would be a distraction but, if you’re an avid bookworm, the body of an e-reader is no more of an intrusion than the body of a paperback; no more of a hindrance to your enjoyment than a screen is when you are watching a good movie.

Many will disagree. A teenage friend of mine prefers printed books because he likes the act of turning the pages. For me, the Kindle’s page-turning function is quicker and easier. Plus, you can say good-bye to the exasperation of having your bookmark fall out and not being able to remember where you were up to.

Meanwhile, another friend of mine is changing her opinion about eBooks. While moving to a smaller house, she regretted her vast collection of paperbacks that would have to be accommodated in less space—and then discovered many of them were mouldy and infested with mites. Yuk. She’ll be buying her first Kindle soon!

There is still a place for printed books in my home. I have about a dozen I will always cherish, but these books belong to an exclusive club. It’s unlikely I’ll be adding new members.

Unless they’re written by me, of course.

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.@CarolABrowne shares her favorite book - Precious Bane by Mary Webb #amreading

My Favourite Book
by Carol Browne

I keep few books in my house. I prefer to pass them on to my friends. However, there is one special book I will never part with and that is my 1945 hardback edition of Precious Bane by Mary Webb.

The book features an introduction by Prime Minister Stanley Baldwin, written at 10 Downing Street in 1928, in which he says of the author, “Her sensibility is so acute and her power over words so sure and swift that one who reads some passage in Whitehall has almost the physical sense of being in Shropshire cornfields.”

First published in 1924, Precious Bane tells the story of flawed heroine, Prudence Sarn, whose ‘hare-shotten lip’ means that as far as her neighbours are concerned she is cursed with ‘the devil’s mark’. It is only weaver Kester Woodseaves who can see beyond this disfigurement to the true beauty of Prue’s soul.

Prue’s goodness and gentle nature are in sharp contrast to her brother Gideon’s ruthless striving for worldly success, and descriptions of the landscape that sustains them are woven into the dramas of their lives to create a rich tapestry. Thanks to the author’s skill with words, it is safe to say that Nature is not merely a background to the story but also seems to be a character in it too. The narrative is, says Prue, “the story of us all at Sarn, of Mother and Gideon and me, and Jancis (that was so beautiful) and Wizard Beguildy, and the two or three other folk that lived in those parts…”

How to describe the style of the book? It depicts a rural England around the time of Waterloo (1815), a place of meres, country lore, dragonflies, looms and spinning-wheels. There is a fair scattering of dialect words (fascinating rather than baffling!) and curious customs such as ‘sin-eating’ and ‘telling the bees’. It is reminiscent of Larkrise to Candleford, had it been penned by a committee of authors that included Thomas Hardy, Dickens and Emily Bronte. It is a book to relax with and savour. The pace was slower in 1924 and they liked their paragraphs LONG! But the story is well paced, the heroine immensely likeable, and there’s plenty of dramatic conflict and jeopardy to keep you hooked throughout.

I have read this book many times and, having just opened it and looked at the first line of Chapter One – “It was at a love-spinning that I saw Kester first”, – I know I am going to read it again very soon! (If you want to try this book, please don’t spoil it for yourself and look at the last page. The ending is perfect!)

Mary Webb née Meredith was born in the village of Leighton on 25th March, 1881. She and her husband worked as market gardeners for a time and had their own stall on Shrewsbury market. She wrote five novels and a volume of essays on nature. Mary died on 8th October, 1927 and was buried in Shrewsbury.

Authors die but they are never forgotten. They live on in the work they leave behind. As Mary Webb said herself in her Foreward to Precious Bane:

“We are to-morrow’s past. Even now we slip away like those pictures painted on the moving dials of antique clocks – a ship, a cottage, sun and moon, a nosegay. The dial turns, the ship rides up and sinks again, the yellow painted sun has set, and we, that were the new thing, gather magic as we go. The whirr of the spinning-wheels has ceased in our parlours, and we hear no more the treadle of the loom, the swift, silken noise of the flung shuttle, the intermittent thud of the batten. But imagination hears them, and theirs is the melody of romance.”

~Carol

Carole Browne writes speculative fiction, non-fiction, and poetry. She is also a ghost blog writer, proofreader, copy editor, and copywriter. Along with a passion for gardening, Carol is an avid animal lover. Stay connected with Carol on Facebook.